Anthropogenic 1 (2015)
A sonic forest environment that adapts to human presence
Opens Aug 28, 2015 at the Hand Art Center, DeLand, FL
Music for Large Array of Car Speakers at a Drive-in Theater (2015)
fixed media | 8′ | premiered at TRAFFIC JAM, Austin, TX
SHORT LONG (2014) | open instrumentation and electronics | ~15′
an improvisatory work for instruments and Max/MSP
Faux Fur (2015) | fixed media | 30′
sound score for choreography by Kathy Wasik.
Perception Unfolds (2014) | continuous surround sound
electronic score for new multimedia installation by Deborah Hay
Environmental Rhythm Etude No. 1 (2013) | fixed media | 7′
cicada rhythms and granular synthesis
Triptych | mixed quartet and live electronics (2013) | 30′
commissioned by the Fountain City Ensemble
Irregular Solids (2013) | live electronics and dance | 35′
sound score for choreography by Kathy Wasik
Lissajous (2012) | vibraphone and electronics
an interactive electro-acoustic piece inspired by Lissajous curves
commissioned by Adam Groh
White Noise (2012) | eight-channel fixed media
an experiment in filtered noise
for dance (choreography by Caitlin Poulton)
Sewn (2012) | percussion trio and electronics
a spatial study for three sets of claves
commissioned by line upon line percussion
Flying Fish (2011) | violin, trombone, and electronics
a sonic impression of “flying fish” fireworks
commissioned by Molly Emerman and Steve Parker
to be featured in a new film by Alison O’Daniel
For Candles (2011) | for dripping candles and electronics
drip-metronomes give way to a waxen chorale
available as an installation or performance piece
My Parents’ Phone Number (2010) | rotary phone & electronics
obsolete technology repurposed as augmented percussion
Inventions and Interludes in Iron (2008) | stereo fixed media
Nine etudes on a set of rusty iron turnstiles in Houston